Search for Fred again..’s plugins and you can quickly end up with a shopping list that explains very little about making a record. A better starting point is a dated source: Tape Notes episode TN:176, released on 11 March 2026, discusses the writing and production of USB. Its public episode notes identify specific tools, while leaving room for the musical decisions that no purchase can replace.
What the public episode notes actually name
The publisher’s gear mentions include Apple Logic Pro, Xfer Serum 2, Native Instruments Reaktor 6, Celemony Melodyne, Waves SoundShifter and Soundtoys FilterFreak. Several Logic instruments and effects also appear, including Retro Synth, ChromaVerb and ES2. [1]
That is evidence that these tools are mentioned in this episode, not a complete inventory of his studio or proof that any one plugin appears on every track. The public notes say the conversation covers “solo”, “..FEISTY” and “HARDSTYLE 2”; listen to the episode for the context rather than assigning an effect to a song from the list alone.
Try this: build around one meaningful phrase
The following is a bmusiq exercise, not a reconstruction of a documented Fred again.. session. Record a phrase of your own, with permission from anyone involved. Choose it because its rhythm or emotion suggests a song. Keep one unedited copy.
Find a small fragment that remains interesting after several repeats. Move it against a plain drum groove before adding processing. Try letting one word arrive earlier, or leaving an answer-sized silence after it. If the loop needs constant effects to stay engaging, choose a different fragment.
Make a contrasting version with a longer reverb return, then automate the send at the end of a phrase. Judge whether the change creates a new section or simply makes the vocal harder to follow. Your DAW’s own sampler and reverb are enough to attempt this exercise.
Where extra tools might help
If you want a new synth source, Serum 2 is documented in the episode notes. Our Serum and Pigments comparison can help you think through that purchase separately.
For a different approach to sourcing material, Loopcloud lets you explore sample-library workflows. [2] This is our suggested alternative for your own project; it is not a claim that Fred used Loopcloud on USB. Likewise, browse our effects directory to solve an identified problem, not to assemble an assumed artist-endorsed chain.
Finish a small arrangement before buying again
Turn the phrase into a one-minute sketch with an opening, a lift and a clear ending. Remove one element when the vocal arrives. Export the sketch and listen away from the session. Write down the one change that would make the song more convincing.
That note is a useful shopping brief if a real limitation emerges. Until then, the next interesting phrase is likely to teach you more than another folder of effects.
Sources & checks
Researched 26 October 2026. Product features and availability can change. Suggested exercises are bmusiq editorial guidance; no hands-on test or artist endorsement is claimed.
