PUSH

The step before your compressor.

Per-band dynamics your broadband compressor can't reach. SETTLE for bus glue, TIGHT for transients, DRIFT to lift detail. 40 ERB bands, no phase artifacts.

Three ways to compress.

• Cohesion for the mix bus. Gentle per-band gain reduction that settles elements together without you hearing it work. The frequency-aware layer before your regular bus compressor.

• Transient control on drums, bass, and percussion. Fast attack with per-band release that catches stray peaks your broadband compressor would average away.

• Detail recovery. Upward per-band compression that lifts room tone, sustain tails, and high-frequency air without pumping up low-frequency mud. No broadband compressor can do this.

What makes PUSH different.

01 / Three characters, one per workflow

• SETTLE glues the bus, TIGHT holds transients, DRIFT lifts quiet detail. different gain computer, timing, and coloring per character. they sound different, not just look different.

02 / 40 ERB frequency bands

• Dynamics mapped to the same critical bands your ear resolves. not four arbitrary crossover points. 40 perceptually spaced bands following how you actually hear.

03 /  Magnitude-only processing

• Gain is applied to magnitude only. Phase stays untouched. No smearing, no comb filtering, no crossover artifacts.

04 / Upward compression per band

• DRIFT lifts ambience, room tone, sustain tails, and high-frequency air without pumping up low-frequency mud. Upward compression per band, not a single broadband lift.

Features

• 40 ERB bands
• 4096-point FFT
• under 3% CPU
• 36 factory presets
• 4 knobs + 2 toggles
• $29 forever
• VST3 / AU
• magnitude-only gain
• M/S processing